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2026 Between The Lines: The James Joyce/Groucho Marx Letters

When a young female scholar makes the find of a lifetime, her journey is just beginning...​​

The 2026 Programme

Meet the talented team who brought you Between The Lines:

The James Joyce/Groucho Marx Letters 

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What did the critics say?

"Between the Lines is a wunderkammer of literary miscellany, clever and funny wordplay, a twisty turny plot, a hugely talented acting ensemble and a lot to contemplate afterwards - it is original, independent theatre at its best."

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Susanne Dahn, Stage Whispers

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“I couldn’t get enough of what playwright Steve Carey, who specialises in James Joyce, had to
offer. I have seen a fair slice of his output, and this is the finest and most accessible piece of
work he has produced.”

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Alex First, The Blurb

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"Bloomsday’s longevity is due, in part, to its readiness to take imaginative risks and ask new questions about Joyce and his legacy. Sold-out shows, popular seminars, and convivial lunches are the reward for punters, patrons, and professors alike. Long may it thrive!"​

 

Philip Harvey, Tinteán

"An imaginative and believable story line together with some great acting ensures Bloomsday in Melbourne’s latest production Between The Lines – The James Joyce/Groucho Marx Letters offers an entertaining night at the theatre."

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Jenny Burns, Travels With JB

THE 2026 BLOOMSDAY ANNUAL SEMINAR:
“Blessed Art Thou Among Women”: James Joyce's “Me Too” Moment and the Helen Garner 'First Stone' Affair

Bloomsday in Melbourne's play for 2026 considered how women are viewed by Joyce and Marx (Groucho, not Karl) in 1937; and set our young female academic down in 1980s England, contending with the literary, and particularly the Joycean, academic establishment.

Helen Garner's controversial book The First Stone has raised feminist hackles since its publication in 1995. The issues it deals with have if anything become more urgent and more contentious in the 30 years since. Indeed, in 2024 the Joyce industry experienced its own seismic “Me Too” moment.

Where are we now? What needs to happen next?

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Chair: Steve Carey

Panel: Professor Ronan McDonald, Gerry Higgins Chair in Irish Studies, Melbourne University; Frances Devlin-Glass, Artistic Director, Bloomsday in Melbourne; Stacey Roberts, University of Melbourne

 

 

Steve Carey (Chair), Opening Remarks

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This year's play is set in 1937, when the letters are supposedly written, and the 1980s, when they are discovered and set off the play's action. It is observed from another era altogether. Today's panel considers ways in which Joyce has been read and interpreted by readers of all kinds - feminists of the first, second, third wave and beyond; and readers coming to Ulysses for the very first time a hundred years after its publication.​

To read Steve's opening remarks, go here.

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Frances Devlin-Glass, The Reception of Ulysses by Feminists

 

Feminist readings of Joyce in general and Ulysses in particular have broadened and deepened our appreciation of his work. In parallel, the "Joyce Industry" has evolved to recognise that patriarchy and entrenched sexism have often constrained our ability to see Joyce's work clearly.

To read Frances's "Feminist Literary History and Joyce: in Four Snapshots," go here.

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